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Mexican Music's Clash with Crime: The Rise of 'Zero Corridos'

As odes to drug lords inspire both fans and controversy, a cultural shift is reshaping the music scene in Mexico.

By James WagnerSource: nytimes.com1 min read
Mexican Music's Clash with Crime: The Rise of 'Zero Corridos'
Image via nytimes.com

In brief

Mexican artists face backlash as laws and public sentiment turn against narcocorridos, prompting a re-evaluation of their impact on society.

Luis R. Conriquez, hailed as the "Corridos King," recently took a stance against narcocorridos during a performance in Texcoco, Mexico. This popular genre celebrates the lives and escapades of drug cartels, but critics argue it glorifies violence and crime. In a surprising move, Conriquez announced via social media that he would not perform some of his popular songs, stating, “It feels bad not being able to sing what people want to hear, but we join the cause of zero corridos.”The backlash was swift, with disappointed fans booing and damaging equipment after he left the stage. Conriquez's decision reflects a growing movement across Mexico aimed at distancing music from the narco culture that has contributed to widespread violence. As cities and states introduce regulations against lyrics that promote criminal behavior, artists like Conriquez are changing their tune—quite literally. He plans to adjust his lyrics and set lists for his upcoming U.S. tour to align with this cultural shift towards a safer artistic narrative.This moment marks a pivotal point for both the music industry and society in Mexico as it grapples with its identity amidst ongoing struggles with organized crime.

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