In a controversial turn of events, a massive concert by ultra-nationalist singer Marko Perkovic, better known as Thompson, has laid bare the divisive sentiments within Croatian society. Dubbed by some as a "neo-fascist Croatian Woodstock," the event drew hundreds of thousands to the Zagreb Hippodrome, showcasing a stark contrast in interpretations of the country's past, particularly regarding its independence struggle and the WWII era’s Nazi puppet state, the Independent State of Croatia (NDH).

The concert featured loud chants, including “Za dom, spremni” ("for homeland, ready!"), which many critics associate with the Ustasha organization, known for its Nazi collaboration during the war. Although Thompson's fans celebrated this slogan as a patriotic expression, opposition parties and various human rights groups have condemned it, with some noting that the Constitutional Court of Croatia deems the chant unconstitutional.

“This concert has opened Pandora's box,” stated Tena Banjeglav from the organization Documenta, underscoring the rising wave of nationalism that worries many. Critics argue that this growing sentiment could lead to a resurgence of violence in the country where historical grievances remain unaddressed. Yet, some supporters assert that the chant serves as a form of rebellion against a modern political elite, contending that its meanings evolve with the times.

In an environment where government leaders appear to downplay the problematic nature of these expressions, questions about reconciliation and accountability continue to loom large. With national identity being fervently debated, the concert's fallout raises vital concerns about Croatia's future and its relationship with both its past and the broader European community. As nationalism gains traction, it seems that the country may be veering away from addressing pressing contemporary issues.