La Scala, the renowned opera house in Milan, is stepping up its effort to preserve a formal atmosphere by enforcing a dress code that prohibits casual attire such as flip-flops, tank tops, and shorts. Even as various European opera venues aim to attract a younger crowd, La Scala seeks to maintain its distinguished reputation.
Patrons are being reminded, through signage and ticket notifications, that to enter the famous opera house, they must adhere to dress standards that reflect the theatre's decorum. Those who show up inappropriately dressed will not only be turned away but will also lose their ticket cost.
La Scala’s spokesperson, Paolo Besana, emphasized the need for some guidelines to ensure inclusivity, stating, “In order not to exclude anyone, it is necessary to establish some minimum rules.” However, the policy has sparked diverse opinions; many believe the focus should remain on the performances, not the audience attire.
John Allison, editor of Opera With Opera News, commented that events like operas are special occasions where some might show up in jeans. Others, like critic Andrew Mellor, argue the only thing that truly matters in the opera is the “clothes on the stage.” This discourse highlights the ongoing debate on balancing tradition with modernity in cultural experiences.
Patrons are being reminded, through signage and ticket notifications, that to enter the famous opera house, they must adhere to dress standards that reflect the theatre's decorum. Those who show up inappropriately dressed will not only be turned away but will also lose their ticket cost.
La Scala’s spokesperson, Paolo Besana, emphasized the need for some guidelines to ensure inclusivity, stating, “In order not to exclude anyone, it is necessary to establish some minimum rules.” However, the policy has sparked diverse opinions; many believe the focus should remain on the performances, not the audience attire.
John Allison, editor of Opera With Opera News, commented that events like operas are special occasions where some might show up in jeans. Others, like critic Andrew Mellor, argue the only thing that truly matters in the opera is the “clothes on the stage.” This discourse highlights the ongoing debate on balancing tradition with modernity in cultural experiences.